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Albertine is named for Albertine Simonet, the figure at the center of Marcel Proust's In Search of Lost Time.

Elusive. Poetic. Never fully known. She is the one the narrator spends a lifetime trying to understand, and never quite does. The name was chosen not as literary decoration but as a declaration: this is a brand that believes in the power of what we cannot fully hold. Memory. Beauty. The weight of a gold ring on a finger. The particular way a piece of jewelry becomes, over years, indistinguishable from the person wearing it. Proust understood that the things we carry shape us as much as the things we do.

So does Albertine.

Albertine makes fine jewelry in solid 14k and 18k gold. The weight of the metal, the care of the setting: a piece you feel the first time you put it on, and eventually forget you're wearing because it has become part of you.

We build for the everyday, and for the day, years from now, when someone else will wear it.

The house was founded by a Parisian living in Tel Aviv. Both cities are present in everything we make. There is Parisian structure and restraint in the lines, and something warmer underneath it, something that belongs to Mediterranean light and the particular unguardedness of life in that city.

The tension between the two is not a contradiction. It is the source.

Tehila Brenner grew up in the heart of Paris, then left a career in high tech to study jewelry design at Shenkar College.

The decision was shaped, in part, by heritage. Her great-grandfather was a jeweller, from a family of jewellers, in North Africa, though heritage isn't only made; it's worn. She still remembers the sound of her grandmother's bangles, worn every day and never removed, now hers to wear the same way. Jewelry as a tangible thing, an heirloom that outlasts everything around it. Albertine was built on that belief: that the finest craft produces not just beautiful objects, but pieces that carry time forward, worn today, handed down tomorrow.